French, 1681-1754 Related Paintings of Jacques Rigaud :. | View towards the Belvedere with Kent-s pavilion right | View of the great Bason,from the Entrance of the Great Walk to the House | View of the Parterre from the Portico of the House | View of such parts as are seen from the Building at the Head of the Lake | View from the foot of the Pyramid | Related Artists:
Alfred Wahlberg1834-1906,Swedish painter. He received some tuition in drawing at the Royal Academy of Arts in Stockholm, although he was never formally enrolled as a student. In 1857 he went to D?sseldorf where he was a student of Hans Fredrik Gude. Swedish Landscape, Kolm?rden (1866; Stockholm, Nmus.) is representative of Wahlberg's D?sseldorf period. After a journey to the Netherlands and Belgium he returned to Stockholm in 1862 and became a member of the circle of artists around Karl XV.
holger drachmann född 9 oktober 1846 i Köpenhamn, död 14 januari 1908 i Hornbæk, var en dansk författare.
Drachmann försökte sig först på måleri, men gav upp och ägnade sig i stället åt författande. Han skrev noveller, dikter, romaner och skådespel.
Edvard Grieg satte musik till många av Drachmanns dikter, bland annat Reiseminder fra Fjeld og Fjord, opus 44. En av hans mest berömda dikter är Et andnat Skagen.
Ambrosius Benson (c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance.
While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain.
Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's